Anthony van Dyck

Appearance of Christ to his Disciples

Appearance of Christ to his Disciples
(click image to zoom-in)
Author: Anthony van Dyck
History Painting, Painting, Oil on canvas, 147x110.3 cm
Origin: Flanders, 1625/1626

This canvas was painted during Van Dyck's sojourn in Italy. The composition of the picture was inspired by the central part of the triptych painted by Peter Paul Rubens to decorate the burial place of Nicolaes Rockox, the burgomaster of Antwerp . Resurrected Christ stands before three of His disciples. Two of them, most likely Peter and Paul, look upon Him in awe, but the third, Thomas, has bent down on his knees to have a closer look at the wounds on the palms of the Saviour. Van Dyck succeeded in conveying the profound drama of the event. The figure of Christ, with head bent to one side and illuminated by bright light, expresses the suffering He has undergone, His submissiveness to fate and, at the same time, there is the miracle of the Resurrection, which inspires the astonishment we see on the faces of the disciples. The restrained colours of the painting, the alternation of light and dark areas and the mild semi-shade liken this work to Van Dyck's canvas Ecce Homo .

Personage: Christ
Source of entry: Collection of baron L.A. Crozat de Tierra, Paris, 1772
Theme: The Bible and Christianity

See also

Anthony van Dyck - Wikipedia, the free encyclopedia
Sir Anthony van Dyck (many variant spellings; [1] 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in ...
Anthony van Dyck - Olga's Gallery
Comprehensive collection of the images of his works with biography and historical comments.
WebMuseum: Dyck, Sir Anthony van
Dyck, Sir Anthony van (1599-1641). Apart from Rubens, the greatest Flemish painter of the 17th century. In 1609 he began his apprenticeship with Hendrick ...
Anthony Van Dyck
"Among Rubens's many famous pupils and assistants, the greatest and most independent was Anthony van Dyck. He soon acquired all the virtuosity of Rubens in ...

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