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|Author: Anthony van Dyck|
|Portraiture, Painting, Oil on canvas, 162x130 cm|
|Origin: Flanders, 1640|
Few artists have truly successfully depicted children, but Anthony van Dyck in this portrait of the daughters of Philip, 4th Lord Wharton, produced a genuinely appealing image. It was painted during the late, English period of the artist's career, and is executed well within the traditions of Western European official portraiture. The girls are shown posing statically against a very roughly indicated, generalised background, with just a hint of a decorative landscape. Dressed and coiffed a la mode, they look like true grown up ladies, the eldest holding herself importantly and with a sense of her own importance, just like a lady at court. The youngest gently holds her sister by the shoulder, frozen in the pose in which she has been stood by the artist. The official majesty of the formal portrait is softened by the little dog, surprised by his mistresses' immobility, who scratches wonderingly at the eldest girl's dress with one paw. With its elegant colour scheme, dominated by cold pearly-grey and silver-blue, and the virtuoso skill in conveying the texture of fabrics and jewellery, van Dyck's painting yet manages to be a very gentle and informal image of two charming girls.
|Source of entry: Collection of Sir Robert Walpole, Houghton Hall, 1779|
|Exibition: Flemish Art: 17th century|
van Dyck - Wikipedia, the free encyclopedia
Sir Anthony van Dyck (many variant spellings;  22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in ...
|Anthony van Dyck
- Olga's Gallery
Comprehensive collection of the images of his works with biography and historical comments.
Dyck, Sir Anthony van
Dyck, Sir Anthony van (1599-1641). Apart from Rubens, the greatest Flemish painter of the 17th century. In 1609 he began his apprenticeship with Hendrick ...
"Among Rubens's many famous pupils and assistants, the greatest and most independent was Anthony van Dyck. He soon acquired all the virtuosity of Rubens in ...
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