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|Author: Nicolas Poussin|
|Painting, Oil on canvas, 98.5x146.4 cm|
|Origin: France, Late 1620s - early 1630s|
Poussin was perhaps the leading exponent of French 17th-century Classicism. For this magnificent work, he took as his subject an episode from a poem by the 16th-century writer Torquato Tasso, "The Liberation of Jerusalem". Erminia, daughter of the king of Antioch, rushes to the aid of the Crusader Knight Tancred, wounded in a duel with a giant. The young man standing nearby is Tancred's arms-bearer. To save her loved one, Erminia takes up a sword and cuts of her miraculous hair, which has healing properties. In her passionate movement and the gentle incline of her head we see a reflection of the idea of self-sacrifice for the sake of love.
Such emotion and painterly softness in the treatment of form are characteristic only of works produced during a very short period in Poussin's life. Later his work came to be dominated by greater severity and rationality.
|Source of entry: Collection of Jacques Aved, Paris, 1766|
|Exibition: French Art: 15th - 18th centuries|
Poussin - Wikipedia, the free encyclopedia
Nicolas Poussin (15 June 1594 – 19 November 1665) was a French painter in the classical style. His work predominantly features clarity, ...
- Olga's Gallery
Comprehensive collection of more than 100 images of Poussin's works with artist's biography and historical comments.
(1594–1665) | Thematic Essay | Heilbrunn Timeline ...
"Nicolas Poussin (1594–1665)". In Heilbrunn Timeline of Art History. ... Nicolas Poussin. MMA Bulletin 50. New York: Metropolitan Museum of Art, 1993. ...
Nicolas Poussin was the greatest French artist of the seventeenth century, the founder of .... Nicolas Poussin: Dialectics of Painting, by Oskar Batschmann ...
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