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| Painting, Tempera on panel and gilding, 177x120 cm |
| Origin: Russia, 16th century, Workshop in Kargopol |
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This complex, multi-figure composition is divided into two parts, with Paradise to the left and Hell to the right. In the upper part is Christ as Judge, weighing each man's virtues against his sins and despatching sinners to Hell. A winding snake with 20 loops illustrates various sins. The righteous, headed by the Apostle Peter, are moving towards Paradise. At the bottom of the icon are small scenes showing various tortures which await the sinners. Novgorod traditions - the abundance of red and green, many inscriptions - are clearly felt in this icon, but stylistic indications suggest that it was the work of a master from the Russian North. |
| Personage: Christ |
| Source of entry: State Hermitage Expedition, Arkhangelsk Region, 1957 |
| School: North Russian Schools |
| Theme: The Bible and Christianity |
| Exibition: Culture of Muscovite Russia: 15th - 17th centuries |
| Russian Icon. The
Last Judgement. - Olga's Gallery Russian Icon. The Last Judgement. Mid-15th century. Novgorod school. 162 x 115 cm. The Tretyakov Gallery, Moscow, Russia. ... |
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SUNDAY OF THE LAST JUDGEMENT Icon of the The Last Judgement used with permission and provided by: ΕΚΔΟΣΗ και .... The icon of the Sunday of the Last Judgment incorporates all of the ... |
| Great Lent,
Holy Week, and Pascha | Sunday of the Last Judgement ... The icon of the Sunday of the Last Judgment incorporates all of the elements of the parable from Matthew 25:31-46. Christ sits on the throne and before him ... |
| Icon
Gallery, Room 4 The Last Judgment is one of the most popular themes in Christian art, ... The icon from the Church of the Nativity of the Virgin is based on such a scheme. ... |
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