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|Author: Paul Cezanne|
|Still Life, Painting, Oil on canvas, 35.2x46.2 cm|
|Origin: France, Circa 1890|
Apples were at the centre of Cézanne's attention for a number of reasons. Not only are they beautiful in colour, but in comparison with other fruit they are more varied. The artist was attracted to the simplicity and completeness of their form. There was also a practical reason important to him: apples do not spoil quickly. With his prolonged work he had to take this quality into consideration. Yet it is not enough to cite the practical or artistically formal reasons for such a predilection. At some level the motivating factor for the use of the apples was the meaning hidden in them. The apple is a symbol of Venus and an attribute of Eve. The passions that had from youth tormented Cézanne, a fear of women that was almost pathological, found expression in a number of his works. In the present painting, along with the apples and the lemon, an unusual object is shown: a small metal flowerpot, or can, with some wilted plant. The presence of this pot is not clear: in all probability the artist introduced into his still life another form, the cylinder, and another colour, grey, setting off the pure tones of the apples and the lemon.
|Source of entry: formerly in the collection of Otto Krebs, Holzdorf|
|Exibition: French Painting: 19th - 20th centuries|
|Transferred from Germany after World War II|
Cézanne - Wikipedia, the free encyclopedia
Paul Cézanne (IPA: [pɔl se'zan]; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of ...
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|Paul Cezanne (1839 -
The Paul Cezanne website: A permanent museum showing a 300 paintings database searchable on theme, title, date or technique. Current exhibitions, biography ...
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